89CD - Article Xl - Live In Newcastle

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Description

Article XI came together in 2014 when Anton was commissioned by the Manchester Jazz Festival to create a new set of music for large ensemble. This record continues the group's explorations into large ensemble collective composition, with two new pieces alongside re-imaginings of two pieces from their debut 2018 album. "Live in Newcastle" was recorded at the Bridge Hotel during a concert for Jazz North East, long-standing supporters of improvised music, and a night which bandleader Anton Hunter has had a long relationship with over the years, including one of the first live performances of Beck Hunters (his trio with brother Johnny Hunter and legendary saxophonist Mick Beck – see Discus 46CD ‘The Hunt Is On’ and 78CD ‘Has It Been Found?’). The concert was part of a 2017 double-bill tour with fellow large ensemble, Cath Roberts' Favourite Animals. 


The bulk of the set is two new pieces. ‘Municrination’ was developed from an initial melodic idea of Anton’s which he brought to a trio rehearsal with Johnny Hunter and Graham South. They improvised their way through and around the fragments, recording the results as they went. Elements from this session were transcribed by Anton and went on to weave their way into the final piece, as part of Article XI’s on-going experiments in creating a large ensemble music that allows the individual voices to shine through. 

 

The second new piece, ‘Always A Fox’, is named in honour of Leicester City’s surprising Premier League title win in 2016, with a knowing nod to all those who adopted them as the season progressed. Compositionally, Anton takes inspiration from Ken Vandermark’s modular approach. The piece is set up with 7 different sections, and the exact path navigated between them is altered for each performance, maintaining an uncertainty that keeps it fresh. Again, the material that makes up the finished piece has had contributions from band members, this time Tullis Rennie, Cath Roberts, Sam Andreae and Seth Bennett all recorded their own improvised responses to melodic ideas presented by Anton, out of these a collective identity for the piece arose, which is built on in performance every time. 

 

The remaining two pieces are reimaginings of tracks from the group’s 2018 debut record. ‘Not The Kind Of Jazz You Like’ is named after a Stewart Lee joke and ‘I Dreamed I Spat Out A Bee’ is named for a dream that Anton’s partner had, which in turn inspired the fantastic artwork by trusted long-term collaborator Angela Guyton. 

 

Having featured on several of Martin Archer’s projects (Story Tellers, Ron Caines / Martin Archer Axis and the forthcoming fifth Julie Tippetts / Martin Archer album) as well as two Beck Hunters records, Anton is proud to be bringing Article XI into the fold at Discus Music. 

 

Press quotes from the double bill tour: 

 

“An absorbing and intriguing evening of uncompromising music making at the interface where the composed and the spontaneous conjoin to rewarding effect.” – The Jazz Mann, Birmingham 

 

“A marvellous evening my only regret being that we only got to see one set of each band.” – Bebop Spoken Here, Newcastle

 

Visit Favourite Animals for more information. 

 

Follow Discus Music on Facebook

 

 

 

Performers

 

Sam Andreae - alto saxophone 

Oliver Dover - alto saxophone 

Simon Prince - tenor saxophone & flute 

Cath Roberts - baritone saxophone 

Graham South - trumpet 

Nick Walters - trumpet 

Kieran McLeod - trombone 

Tullis Rennie - trombone 

Seth Bennett - double bass 

Johnny Hunter - drums 

Anton Hunter - guitar 



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Article XI came together in 2014 when Anton was commissioned by the Manchester Jazz Festival to create a new set of music for large ensemble. This record continues the group's explorations into large ensemble collective composition, with two new pieces alongside re-imaginings of two pieces from their debut 2018 album. "Live in Newcastle" was recorded at the Bridge Hotel during a concert for Jazz North East, long-standing supporters of improvised music, and a night which bandleader Anton Hunter has had a long relationship with over the years, including one of the first live performances of Beck Hunters (his trio with brother Johnny Hunter and legendary saxophonist Mick Beck – see Discus 46CD ‘The Hunt Is On’ and 78CD ‘Has It Been Found?’). The concert was part of a 2017 double-bill tour with fellow large ensemble, Cath Roberts' Favourite Animals. 


The bulk of the set is two new pieces. ‘Municrination’ was developed from an initial melodic idea of Anton’s which he brought to a trio rehearsal with Johnny Hunter and Graham South. They improvised their way through and around the fragments, recording the results as they went. Elements from this session were transcribed by Anton and went on to weave their way into the final piece, as part of Article XI’s on-going experiments in creating a large ensemble music that allows the individual voices to shine through. 

 

The second new piece, ‘Always A Fox’, is named in honour of Leicester City’s surprising Premier League title win in 2016, with a knowing nod to all those who adopted them as the season progressed. Compositionally, Anton takes inspiration from Ken Vandermark’s modular approach. The piece is set up with 7 different sections, and the exact path navigated between them is altered for each performance, maintaining an uncertainty that keeps it fresh. Again, the material that makes up the finished piece has had contributions from band members, this time Tullis Rennie, Cath Roberts, Sam Andreae and Seth Bennett all recorded their own improvised responses to melodic ideas presented by Anton, out of these a collective identity for the piece arose, which is built on in performance every time. 

 

The remaining two pieces are reimaginings of tracks from the group’s 2018 debut record. ‘Not The Kind Of Jazz You Like’ is named after a Stewart Lee joke and ‘I Dreamed I Spat Out A Bee’ is named for a dream that Anton’s partner had, which in turn inspired the fantastic artwork by trusted long-term collaborator Angela Guyton. 

 

Having featured on several of Martin Archer’s projects (Story Tellers, Ron Caines / Martin Archer Axis and the forthcoming fifth Julie Tippetts / Martin Archer album) as well as two Beck Hunters records, Anton is proud to be bringing Article XI into the fold at Discus Music. 

 

Press quotes from the double bill tour: 

 

“An absorbing and intriguing evening of uncompromising music making at the interface where the composed and the spontaneous conjoin to rewarding effect.” – The Jazz Mann, Birmingham 

 

“A marvellous evening my only regret being that we only got to see one set of each band.” – Bebop Spoken Here, Newcastle

 

Visit Favourite Animals for more information. 

 

Follow Discus Music on Facebook

 

 

 

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Sam Andreae - alto saxophone 

Oliver Dover - alto saxophone 

Simon Prince - tenor saxophone & flute 

Cath Roberts - baritone saxophone 

Graham South - trumpet 

Nick Walters - trumpet 

Kieran McLeod - trombone 

Tullis Rennie - trombone 

Seth Bennett - double bass 

Johnny Hunter - drums 

Anton Hunter - guitar 

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Sam Andreae - alto saxophone 

Oliver Dover - alto saxophone 

Simon Prince - tenor saxophone & flute 

Cath Roberts - baritone saxophone 

Graham South - trumpet 

Nick Walters - trumpet 

Kieran McLeod - trombone 

Tullis Rennie - trombone 

Seth Bennett - double bass 

Johnny Hunter - drums 

Anton Hunter - guitar 

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Article 11 of the European Convention on Human Rights : Everyone has the right to freedom of peaceful assembly and to freedom of association with others, including the right to form and to join trade unions for the protection of their interests. Interesting in this Coronavirus (Covid -19) time that this right to assembly becomes a no no, and outright problem that carries fear in its pocket, to keep us from even thinking about close contact with even one other person, and surely not a crowd of people. But this is about music so away from the chaos and to some magnificent performance for your ears.


An especially intimate mingling of free jazz, free expression, peaceful assembly, and brilliant skillset among eleven exceptional musicians, all in the name of the human rights stated clearly in Article 11 of the European Convention. Although recorded live at the Bridge Hotel, 2017, along with a double bill tour with Favorite Animals, this not to be missed official release on Discus Music in 2020, is available in 6 panel digipak with standout artwork by Angela Guyton. Nothing short of incredible.


The 2nd release by Article XI, led by Anton Hunter, who has perked up my ears for several years in various outfits, some simply stunning, all staying in a utmost inventive field. On this live performance, the arrangements have rare air, and a fresh dash of impulse, yet they are fully loaded as if each and every note were rehearsed for a year or more (well actually 2 of the works are reinvented from their debut album). There is nothing shapeless or jumbled here, just plentiful puzzles of progressive thinking big band with tease, twists and boiling over attainment. Article XI reach for something or some things, and find heights much further up in reality.


The compositions are either 'reimaginnings' of previous arrangements or improvised parts from the musicians in response to a framework already established. ‘Municrination’ (opening track) was in fact birthed from a melody chain by Anton that he presented to Johnny Hunter (his brother) and Graham South, where they improvised around the parts, and then in the end, Anton wrote their results into the final composition. This is the magic that happens with the ensemble and one of several ways the pieces of music get creation and life.


The stellar performers are: Sam Andreae - alto saxophone / Oliver Dover - alto saxophone / Simon Prince - tenor saxophone & flute / Cath Roberts - baritone saxophone / Graham South - trumpet / Nick Walters - trumpet / Kieran McLeod - trombone / Tullis Rennie - trombone / Seth Bennett - double bass / Johnny Hunter - drums / and Anton Hunter - guitar. For this writer/listener, this is like finding another wave of life changers like I did back in the early 70's with Tippetts, anything goes jazz rock, Soft Machine, Henry Cow, and a wide assortment of avant-garde ensembles from all over the globe. I have a second bloodrush with all these implacable, multi metrical, prize releases coming my way over the last decade.


Article XI have slight of hand at times, hop into trespass mode, get robust, lay back, find a new fountainhead, and retreat only momentarily, sidestep, and then create a new groove, all in a flawless exhibition of first class resolution. Think a live album won't have the same zip or drive? WRONG! If anything, this outfit has more presence and punch than anything they could have done in the studio. Folks this is alive and as poignant as one could dream of. An unforgettable live musical performance. MOST HIGHLY RECOMMENDED. - Lee Henderson, BIG BEAUTIFUL NOISE

____________________

 

 

Encouragement, like a great many aspects of life, can come from many quarters, and it’s downright encouraging, not to say grounds for optimism, to hear a large ensemble going about some musical business with vigour and a sense of purpose not unlike that which marks the largely Dutch ICP Orchestra’s work, albeit without such potent measures of iconoclasm and disruptive humour. 

 

It’s a band that sounds live too, in the sense that if there are routines stitched into the fabric of this programme, they’re very much engulfed by the whole, happening in the moment, which maybe why Municrination can cover a wide expanse of ground, including an episode of more than convincing free play, without toppling over into striving for effect. 

 

While there’s little of the cunning about Always A Fox, an enduring impression is of a band that knows its worth without having to grandstand about it. Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has with the passing of time and the documentation of records become something of a by-product of large free and near-free ensembles.

 

The initial hints of fractured pastoralism in Not The Kind Of Jazz You Like highlight how light and shade and the demands they make can be successfully evoked as long as a band retains its individual identities at the same time as it reads off the same page, so to speak. 

 

So regardless of what state the jazz industry is in, whatever the hell that is / was, the object lesson that it’s not always the most visible names who produce the most substantial music applies in abundance to this release, and thus encourages this still curious yet often wearied and dismissive jazz hack to keep on looking, and to keep the ears open. – Nic Jones, JAZZ JOURNAL

____________________ 

  

I have been present at several live album recordings, perhaps the most notable was 40 years ago to the month that I was  at Ronnie Scott's for Mole Jazz’s inaugural release, Blues for the Fisherman featuring the Art Pepper Quartet. A truly memorable evening that I still look back on with fondness to this day with the added bonus of being able to listen to the album knowing that somewhere I am featured within. 

 

It was a great pleasure to receive the latest CD from Anton Hunter’s Article XI band  Live in Newcastle.  This album was recorded at The Bridge Hotel in December 2017 as part of a double bill with Cath Roberts’s Favourite Animals  band. I remember giving the evening a very positive review on BSH.

 

The very first thing you get to hear on the recording is JNE’s Wesley Stephenson introducing the band. A double bass solo from Seth Bennett then kicks off the opening number, Municriation,  before the horns join up. A fairly thoughtful passage ensues with everybody in the team getting a go. Finally, things really ramp up delivering a rip roaring rollicking driving tour de force. 

 

Always A Fox is a tribute to Leicester City’s Premiership success  in 2016 it seems to mirror the mighty Fox’s miracle season – scratchy and searching at first, it builds up to a triumphant  strident blast as the title is secured before basking out in the reflected glory of their amazing feat. I look forward to the sequel, Forever a Magpie, to celebrate the Toon’s Premiership win in 2021. 

 

Not The Kind of Jazz You Like could be dedicated to BSH supremo Lance but for me, it was just the kind of jazz I like – featuring a great baritone solo form Cath Roberts and then developing with a real swinging contemporary big band type of sound. Given that this was a live recording I was taken with how amazingly tight the 11 strong ensemble comes across.

  

The album concludes with the uplifting I Dreamed I Spat Out a Bee. As the evening came to a close I’m sure that I could hear myself clapping and cheering among the sizeable crowd.  A great memento of a fine evening the CD cover has  great artwork from Angela Guyton and on the inside cover there is even a photograph from BSH ace photographer Ken Drew.  I am sure that even for those not lucky enough to be present on that  December evening this CD would still provide a highly  enjoyable listen. - Steve H, BEBOP SPOKEN HERE

____________________

 

 

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Article 11 of the European Convention on Human Rights : Everyone has the right to freedom of peaceful assembly and to freedom of association with others, including the right to form and to join trade unions for the protection of their interests. Interesting in this Coronavirus (Covid -19) time that this right to assembly becomes a no no, and outright problem that carries fear in its pocket, to keep us from even thinking about close contact with even one other person, and surely not a crowd of people. But this is about music so away from the chaos and to some magnificent performance for your ears.


An especially intimate mingling of free jazz, free expression, peaceful assembly, and brilliant skillset among eleven exceptional musicians, all in the name of the human rights stated clearly in Article 11 of the European Convention. Although recorded live at the Bridge Hotel, 2017, along with a double bill tour with Favorite Animals, this not to be missed official release on Discus Music in 2020, is available in 6 panel digipak with standout artwork by Angela Guyton. Nothing short of incredible.


The 2nd release by Article XI, led by Anton Hunter, who has perked up my ears for several years in various outfits, some simply stunning, all staying in a utmost inventive field. On this live performance, the arrangements have rare air, and a fresh dash of impulse, yet they are fully loaded as if each and every note were rehearsed for a year or more (well actually 2 of the works are reinvented from their debut album). There is nothing shapeless or jumbled here, just plentiful puzzles of progressive thinking big band with tease, twists and boiling over attainment. Article XI reach for something or some things, and find heights much further up in reality.


The compositions are either 'reimaginnings' of previous arrangements or improvised parts from the musicians in response to a framework already established. ‘Municrination’ (opening track) was in fact birthed from a melody chain by Anton that he presented to Johnny Hunter (his brother) and Graham South, where they improvised around the parts, and then in the end, Anton wrote their results into the final composition. This is the magic that happens with the ensemble and one of several ways the pieces of music get creation and life.


The stellar performers are: Sam Andreae - alto saxophone / Oliver Dover - alto saxophone / Simon Prince - tenor saxophone & flute / Cath Roberts - baritone saxophone / Graham South - trumpet / Nick Walters - trumpet / Kieran McLeod - trombone / Tullis Rennie - trombone / Seth Bennett - double bass / Johnny Hunter - drums / and Anton Hunter - guitar. For this writer/listener, this is like finding another wave of life changers like I did back in the early 70's with Tippetts, anything goes jazz rock, Soft Machine, Henry Cow, and a wide assortment of avant-garde ensembles from all over the globe. I have a second bloodrush with all these implacable, multi metrical, prize releases coming my way over the last decade.


Article XI have slight of hand at times, hop into trespass mode, get robust, lay back, find a new fountainhead, and retreat only momentarily, sidestep, and then create a new groove, all in a flawless exhibition of first class resolution. Think a live album won't have the same zip or drive? WRONG! If anything, this outfit has more presence and punch than anything they could have done in the studio. Folks this is alive and as poignant as one could dream of. An unforgettable live musical performance. MOST HIGHLY RECOMMENDED. - Lee Henderson, BIG BEAUTIFUL NOISE

____________________

 

 

Encouragement, like a great many aspects of life, can come from many quarters, and it’s downright encouraging, not to say grounds for optimism, to hear a large ensemble going about some musical business with vigour and a sense of purpose not unlike that which marks the largely Dutch ICP Orchestra’s work, albeit without such potent measures of iconoclasm and disruptive humour. 

 

It’s a band that sounds live too, in the sense that if there are routines stitched into the fabric of this programme, they’re very much engulfed by the whole, happening in the moment, which maybe why Municrination can cover a wide expanse of ground, including an episode of more than convincing free play, without toppling over into striving for effect. 

 

While there’s little of the cunning about Always A Fox, an enduring impression is of a band that knows its worth without having to grandstand about it. Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has with the passing of time and the documentation of records become something of a by-product of large free and near-free ensembles.

 

The initial hints of fractured pastoralism in Not The Kind Of Jazz You Like highlight how light and shade and the demands they make can be successfully evoked as long as a band retains its individual identities at the same time as it reads off the same page, so to speak. 

 

So regardless of what state the jazz industry is in, whatever the hell that is / was, the object lesson that it’s not always the most visible names who produce the most substantial music applies in abundance to this release, and thus encourages this still curious yet often wearied and dismissive jazz hack to keep on looking, and to keep the ears open. – Nic Jones, JAZZ JOURNAL

____________________ 

  

I have been present at several live album recordings, perhaps the most notable was 40 years ago to the month that I was  at Ronnie Scott's for Mole Jazz’s inaugural release, Blues for the Fisherman featuring the Art Pepper Quartet. A truly memorable evening that I still look back on with fondness to this day with the added bonus of being able to listen to the album knowing that somewhere I am featured within. 

 

It was a great pleasure to receive the latest CD from Anton Hunter’s Article XI band  Live in Newcastle.  This album was recorded at The Bridge Hotel in December 2017 as part of a double bill with Cath Roberts’s Favourite Animals  band. I remember giving the evening a very positive review on BSH.

 

The very first thing you get to hear on the recording is JNE’s Wesley Stephenson introducing the band. A double bass solo from Seth Bennett then kicks off the opening number, Municriation,  before the horns join up. A fairly thoughtful passage ensues with everybody in the team getting a go. Finally, things really ramp up delivering a rip roaring rollicking driving tour de force. 

 

Always A Fox is a tribute to Leicester City’s Premiership success  in 2016 it seems to mirror the mighty Fox’s miracle season – scratchy and searching at first, it builds up to a triumphant  strident blast as the title is secured before basking out in the reflected glory of their amazing feat. I look forward to the sequel, Forever a Magpie, to celebrate the Toon’s Premiership win in 2021. 

 

Not The Kind of Jazz You Like could be dedicated to BSH supremo Lance but for me, it was just the kind of jazz I like – featuring a great baritone solo form Cath Roberts and then developing with a real swinging contemporary big band type of sound. Given that this was a live recording I was taken with how amazingly tight the 11 strong ensemble comes across.

  

The album concludes with the uplifting I Dreamed I Spat Out a Bee. As the evening came to a close I’m sure that I could hear myself clapping and cheering among the sizeable crowd.  A great memento of a fine evening the CD cover has  great artwork from Angela Guyton and on the inside cover there is even a photograph from BSH ace photographer Ken Drew.  I am sure that even for those not lucky enough to be present on that  December evening this CD would still provide a highly  enjoyable listen. - Steve H, BEBOP SPOKEN HERE

____________________

 

 

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To hear tracks from this CD/DL please follow this link to the Bandcamp player.

 

If you decide to buy PLEASE return to this page to place your order because:

 

1 - It will cost you less - Bandcamp adds 20% VAT to the basic price you pay

2 - Discus pays 15% commission on the basic price to Bandcamp, so we receive less

3 - If you spend more than £25 on this site you get a 30% discount above that limit

 

We love Bandcamp for its player and download delivery - but we prefer you to buy direct from here!

[custom_param] => [custom_price] => [ordering] => 2 [display] =>

To hear tracks from this CD/DL please follow this link to the Bandcamp player.

 

If you decide to buy PLEASE return to this page to place your order because:

 

1 - It will cost you less - Bandcamp adds 20% VAT to the basic price you pay

2 - Discus pays 15% commission on the basic price to Bandcamp, so we receive less

3 - If you spend more than £25 on this site you get a 30% discount above that limit

 

We love Bandcamp for its player and download delivery - but we prefer you to buy direct from here!

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Reviews

Article 11 of the European Convention on Human Rights : Everyone has the right to freedom of peaceful assembly and to freedom of association with others, including the right to form and to join trade unions for the protection of their interests. Interesting in this Coronavirus (Covid -19) time that this right to assembly becomes a no no, and outright problem that carries fear in its pocket, to keep us from even thinking about close contact with even one other person, and surely not a crowd of people. But this is about music so away from the chaos and to some magnificent performance for your ears.


An especially intimate mingling of free jazz, free expression, peaceful assembly, and brilliant skillset among eleven exceptional musicians, all in the name of the human rights stated clearly in Article 11 of the European Convention. Although recorded live at the Bridge Hotel, 2017, along with a double bill tour with Favorite Animals, this not to be missed official release on Discus Music in 2020, is available in 6 panel digipak with standout artwork by Angela Guyton. Nothing short of incredible.


The 2nd release by Article XI, led by Anton Hunter, who has perked up my ears for several years in various outfits, some simply stunning, all staying in a utmost inventive field. On this live performance, the arrangements have rare air, and a fresh dash of impulse, yet they are fully loaded as if each and every note were rehearsed for a year or more (well actually 2 of the works are reinvented from their debut album). There is nothing shapeless or jumbled here, just plentiful puzzles of progressive thinking big band with tease, twists and boiling over attainment. Article XI reach for something or some things, and find heights much further up in reality.


The compositions are either 'reimaginnings' of previous arrangements or improvised parts from the musicians in response to a framework already established. ‘Municrination’ (opening track) was in fact birthed from a melody chain by Anton that he presented to Johnny Hunter (his brother) and Graham South, where they improvised around the parts, and then in the end, Anton wrote their results into the final composition. This is the magic that happens with the ensemble and one of several ways the pieces of music get creation and life.


The stellar performers are: Sam Andreae - alto saxophone / Oliver Dover - alto saxophone / Simon Prince - tenor saxophone & flute / Cath Roberts - baritone saxophone / Graham South - trumpet / Nick Walters - trumpet / Kieran McLeod - trombone / Tullis Rennie - trombone / Seth Bennett - double bass / Johnny Hunter - drums / and Anton Hunter - guitar. For this writer/listener, this is like finding another wave of life changers like I did back in the early 70's with Tippetts, anything goes jazz rock, Soft Machine, Henry Cow, and a wide assortment of avant-garde ensembles from all over the globe. I have a second bloodrush with all these implacable, multi metrical, prize releases coming my way over the last decade.


Article XI have slight of hand at times, hop into trespass mode, get robust, lay back, find a new fountainhead, and retreat only momentarily, sidestep, and then create a new groove, all in a flawless exhibition of first class resolution. Think a live album won't have the same zip or drive? WRONG! If anything, this outfit has more presence and punch than anything they could have done in the studio. Folks this is alive and as poignant as one could dream of. An unforgettable live musical performance. MOST HIGHLY RECOMMENDED. - Lee Henderson, BIG BEAUTIFUL NOISE

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Encouragement, like a great many aspects of life, can come from many quarters, and it’s downright encouraging, not to say grounds for optimism, to hear a large ensemble going about some musical business with vigour and a sense of purpose not unlike that which marks the largely Dutch ICP Orchestra’s work, albeit without such potent measures of iconoclasm and disruptive humour. 

 

It’s a band that sounds live too, in the sense that if there are routines stitched into the fabric of this programme, they’re very much engulfed by the whole, happening in the moment, which maybe why Municrination can cover a wide expanse of ground, including an episode of more than convincing free play, without toppling over into striving for effect. 

 

While there’s little of the cunning about Always A Fox, an enduring impression is of a band that knows its worth without having to grandstand about it. Freedom, in the sense of nothing predetermined, is embraced wholeheartedly, and without the borderline primal screaming which has with the passing of time and the documentation of records become something of a by-product of large free and near-free ensembles.

 

The initial hints of fractured pastoralism in Not The Kind Of Jazz You Like highlight how light and shade and the demands they make can be successfully evoked as long as a band retains its individual identities at the same time as it reads off the same page, so to speak. 

 

So regardless of what state the jazz industry is in, whatever the hell that is / was, the object lesson that it’s not always the most visible names who produce the most substantial music applies in abundance to this release, and thus encourages this still curious yet often wearied and dismissive jazz hack to keep on looking, and to keep the ears open. – Nic Jones, JAZZ JOURNAL

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I have been present at several live album recordings, perhaps the most notable was 40 years ago to the month that I was  at Ronnie Scott's for Mole Jazz’s inaugural release, Blues for the Fisherman featuring the Art Pepper Quartet. A truly memorable evening that I still look back on with fondness to this day with the added bonus of being able to listen to the album knowing that somewhere I am featured within. 

 

It was a great pleasure to receive the latest CD from Anton Hunter’s Article XI band  Live in Newcastle.  This album was recorded at The Bridge Hotel in December 2017 as part of a double bill with Cath Roberts’s Favourite Animals  band. I remember giving the evening a very positive review on BSH.

 

The very first thing you get to hear on the recording is JNE’s Wesley Stephenson introducing the band. A double bass solo from Seth Bennett then kicks off the opening number, Municriation,  before the horns join up. A fairly thoughtful passage ensues with everybody in the team getting a go. Finally, things really ramp up delivering a rip roaring rollicking driving tour de force. 

 

Always A Fox is a tribute to Leicester City’s Premiership success  in 2016 it seems to mirror the mighty Fox’s miracle season – scratchy and searching at first, it builds up to a triumphant  strident blast as the title is secured before basking out in the reflected glory of their amazing feat. I look forward to the sequel, Forever a Magpie, to celebrate the Toon’s Premiership win in 2021. 

 

Not The Kind of Jazz You Like could be dedicated to BSH supremo Lance but for me, it was just the kind of jazz I like – featuring a great baritone solo form Cath Roberts and then developing with a real swinging contemporary big band type of sound. Given that this was a live recording I was taken with how amazingly tight the 11 strong ensemble comes across.

  

The album concludes with the uplifting I Dreamed I Spat Out a Bee. As the evening came to a close I’m sure that I could hear myself clapping and cheering among the sizeable crowd.  A great memento of a fine evening the CD cover has  great artwork from Angela Guyton and on the inside cover there is even a photograph from BSH ace photographer Ken Drew.  I am sure that even for those not lucky enough to be present on that  December evening this CD would still provide a highly  enjoyable listen. - Steve H, BEBOP SPOKEN HERE

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