88CD - Ron Caines / Martin Archer AXIS - Dream Feathers
To hear tracks from this CD/DL please follow this link to the Bandcamp player.
If you decide to buy PLEASE return to this page to place your order because:
1 - It will cost you less - Bandcamp adds 20% VAT to the basic price you pay
2 - Discus pays 15% commission on the basic price to Bandcamp, so we receive less
3 - If you spend more than £25 on this site you get a 30% discount above that limit
We love Bandcamp for its player and download delivery - but we prefer you to buy direct from here!
In this continuing series of releases with Ron, we seem to have arrived at an interesting place where an ostensibly straight jazz group playing melodic material is somehow unexpectedly pulled sideways into a strange alternative electroacoustic universe. We like this little clearing in the forest which we've found for Ron's music - and in many ways it continues the pioneering work of his early music with East Of Eden, all be it with technology which was not available to those musicians in those days.
Ron Caines – soprano, alto & tenor saxophones
Martin Archer – bass clarinet, organ, electronics, horn section
Laura Cole – acoustic and electric pianos, harmonium
Hervé Perez – field recordings, electronics, sound design/processing
Anton Hunter – guitar and electronics
Gus Garside – double bass
Johnny Hunter – drums
THE DEPTH OF ORIGINAL MUSIC, newly created by artists and then fathomed further by our own imagination, remains a never-fading fascination – an opportunity to hear sounds for the very first time, and then continue to appraise and interpret them in relation our own experiences and circumstances. The possibilities are limitless.
Dream Feathers, presented by Ron Caines / Martin Archer AXIS, beautifully exemplifies that fact in a nine-track soundscape led by veteran saxophonist Caines (“composer”) and Sheffield multi-instrumentalist Archer (“studio enabler and magician”) where a multiplicity of melodies, textures, rhythms and field recordings abound. And whilst entirely accessible, both the freedom and blend of scored and improvised music takes this septet’s output far beyond a sequence of ‘jazz tunes’ and into an hour-long realm where the mind might freely roam the unexpected, eliciting visual and even visceral responses on a personal level.
Completing the line-up, pianist Laura Cole, guitarist Anton Hunter, double bassist Gus Garside and drummer Johnny Hunter – also proven masters of invention – paint canvases of acoustic and electronic colour which are enhanced with great effect by Hervé Perez’s field recordings, electronics and processing.
Throughout, Caines’ clear saxophonic tone/vibrato and ‘off-piste’ perambulations are a joy. In memorable, cyclic African Violets, piano and horns create a Coltranesque foundation for him to stretch out across Johnny Hunter’s shimmering cymbals and solid drumming impetus; and his easy alto lyricism in broad Uccello / 1934 (incidentally, a significant year in British classical music) becomes echoed by the most delightfully sparse electronic drones and electric-piano chimes. Free improv is prominent in mischievous, angular Mazeep; in prickly, unpredictable Harmonix; and in darker, mini-maelstrom Nico. But just as effective, and certainly more immersive, are the outer eleven-minute ‘movements’ – Rothko Veil / Dream Feathers and Almazon / 1934 Reprise – whose gently-shifting strata of extemporisation and complementary field captures seep into mind and heart, ultimately carried away through a canopy of woodland birdsong.
Challenging categorisation, Dream Feathers is a three-dimensional, headphones-on exploration of beauty and openness. The grooves may become pleasingly familiar, each time you listen, but the improvisatory spirit also sustains interest to return again and again to discover more." - Adrian Pallant, AP Reviews